After a few minutes we are led through a back corridor and up some stairs into an elegant reception room with marble coffee-tables and gilt rococco furniture. She is married to Jacques Henric, an avant-garde poet and novelist, and has been monogamous for eight years. She looks like what she is - an intelligent art critic - though she does not have that stern intolerance that sometimes arrives in a mature female intellectual. This repudiation is highlighted in the novels of Michel Houellebecq and was best summed up by Joni Mitchell, who recently said, 'There is no such thing as free love. Evolution seems to tell a truth denied by civilisation. There is no set mouth or frightening jawline. The apartment was cramped.
She looks like what she is - an intelligent art critic - though she does not have that stern intolerance that sometimes arrives in a mature female intellectual. Her description of childhood is brief and only present as a device for explaining her obsession with numbers - that is, the numbers of sexual partners she was ultimately to have. I ask if she ever considers being promiscuous again and Jacques interrupts me, rather ungallantly I think, with a mocking laugh at his wife and says, "At her age? An eloquent, graphic—and sometimes even poignant—account of a life lived like a porno flick, the book arrives next month in the United States after a sensational publication in France. Or starred in pornographic photos. She was born in Bois Colombe, a petit-bourgeois suburb of Paris. Evolution seems to tell a truth denied by civilisation. To his enormous surprise, it was accepted. There was no woman to confide my sexual doubts or problems to, and there is a point where I write that I have always felt I was on the man's side. After a few minutes we are led through a back corridor and up some stairs into an elegant reception room with marble coffee-tables and gilt rococco furniture. He was very enthusiastic, and a few days later he brought the contract round. There is no set mouth or frightening jawline. Strangely, she felt more embarrassed with her clothes on than off; not so strangely, she disliked her body. Her memoir details her sex life, from masturbation as a child to an adulthood where she was propelled by a predilection for group sex. Their loft is covered with these arresting shots, emblems of the voyeuristic penchant the couple shares. The theory of sperm competition says that sperm must be prepared to do battle with the sperm of another man inside a woman because of the possibility that she has 'double mated'. She liked the anonymity, the abandonment, the 'delicious giddiness'. She was not a bra-burner, partly because she did not wear a bra, or any underwear, for that matter. This last question holds more relevance in France, where the profane writings of libertinage and underground anti-monarchy libelles were political and seen as having a part in the French Revolution. Jean Baudrillard weighed in with a characteristically opaque point about nudity and truth. The critic Michel Schneider commented that writing about sex was neither politically or socially revolutionary. Millet had not launched herself from a feminist or political springboard, and her book may well fit into Barthes's 'author is dead' notion where the reader is the creator of meanings. It is dangerous to think that the taking of pleasure can be traced to neurosis, for this leads to the religious attitudes that demanded the taking of pleasure demanded atonement. Achieving professional recognition as an art critic lessened the need to demonstrate her sexual excellence, she says. Putting oneself out, as it were.
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Catherine Millet Das sexuelle Leben der Catherine M Hörbuch Komplett Deutsch 2016
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