But the sense of male camaraderie transcends ball-busting. Rescue Me pops its own bubble routinely. Its missteps are so maddening because it is so often very good, making its flaws all the more readily apparent. Because Leary is so charismatic, because the whole thing was presented with such a joyous juxtaposition, the show, intentionally or not, sided with Tommy. Of course, this idea was never developed beyond that one monologue, but it stood out in a series of episodes that seemed unusually female unfriendly; more on this in a minute. Perhaps Leary and Tolan can fight their way past their worst tendencies, and find the great show that lurks inside of their very good but very frustrating one. In the first two seasons, this flaw was easier to overlook.
On an unabashed soap opera like All My Children or Dallas, the audience expects the characters to suffer during every waking moment. In Season Three, Rescue Me seemed to balance its lighter, better elements and its melodrama. So what makes Rescue Me worth watching at all? Occasionally, the show will string enough of these emotionally real moments together and sidestep enough of its unfortunate tendencies to nail down a wonderful scene or episode. Throughout the season, Rescue Me played to its greatest strength, comedy. Rescue Me pops its own bubble routinely. True, the scene had its ambiguities: For a show with as many poorly developed female characters as this one, the monologue seemed to endorse the theory of many viewers that the women of Rescue Me do have interesting lives, even if we rarely get to see them. But the images told another story. The show is told from the point-of-view of the guys. Then he removed her clothes and his pants and pushed himself inside of her all of this conveyed through sound effects. Indie rock played triumphantly throughout. He grew angry with her, then slapped her around, forcing her onto the couch and holding her down. When a Sopranos gangster cuts down a gangland foe, even if the killer takes pleasure in the moment, the series rarely does. On a soap, this is all right; contrivance is part of the fun. Then he left the apartment as indie rock rose on the soundtrack and a charismatic smile crossed his face in tight closeup. If too many characters endure too many tragedies in too short a timespan, the bubble of realism pops. Then, in season three, Tommy raped his ex-wife, and the show seemed to approve of it. Lou John Scurti saw his money swindled by a call girl and contemplated suicide. Her rage gave way to something approaching pleasure; the job done, Tommy pulled out. After the encounter, Tommy exchanged pleasantries with Janet, who got dressed again. The scene began with Tommy and Janet discussing how to split up their affairs. What Rescue Me offers, what keeps its fans coming back week after week are smaller moments that counteract the dramatic bombast. Leary and Tolan understand that men can be reserved emotionally a stereotypical portrayal but will open themselves up in small groups. It seemed possible that the show third year would end a high note—a major victory, considering that this season was problematic even at its best. The first incident tried to ratchet up already-plentiful emotion.
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