Here's how it affects me, directing: Thus what I see when I examine the MPAA is not a friendly guardian of feature film directors' rights, even at the studio level. Crusading against others "fur die Kinder" has always been profitable. Seems simple enough to me. At its worst, the set then becomes an exclusive little "club" of 1 percenters who readily claim they are 99 percenters off set, with a knowing wink to each other, and erect 2-story rubber rats to terrorize films and companies who won't lie down for the beatdown as commanded. MGM and two other studios formed the group in
Lower budgets increase the creativity on location. If they like it well enough, they'll contact me for the real thing. One significant reason for these obscene prices is union pressure. So this rather long answer, at least from this movie director, is that my response to those who download a torrent of my current film is meh, with an addendum of: When a picture becomes shop union , you should multiply your budget by at least three, because in the case of directors, which you asked about, a union director is DGA. Reduced budgets among other things can result in lower fees for key creative. We need to adapt to it, not it to us. At its worst, the set then becomes an exclusive little "club" of 1 percenters who readily claim they are 99 percenters off set, with a knowing wink to each other, and erect 2-story rubber rats to terrorize films and companies who won't lie down for the beatdown as commanded. They use us as hostages to strengthen their lobbies, as human shields to promote their fundraising campaigns aka court cases , and alienate the audience against us with hysterical, hyperbolic legal jihads designed to make them and their professional paid lobbyists richer, but directors, musicians, songwriters, audiences, and American culture all the poorer. Crusading against others "fur die Kinder" has always been profitable. If torrent piracy causes this by forcing budgets to come down and fewer films to be made, then so be it. This guy became the head of the MPAA with their blessing. It's insulting to unions. Lipkowitz is further correct when he says, "On the neutral side, unless the director has equity participation in the film, piracy does not directly impact their paycheck. These are not nice guys. This is when you begin seeing crew end credits such as "assistant standby," and your location fills with people who will not even be moving things or working, but instead standing joking and chewing gum and eating craft services while not actually doing anything, and your budget must pay them all union wages, health and pension. If you want audiences to like your product, so make good, original new product, make it affordable in this economy, and turn the volume down on those movie trailers. That's not true in all cases. That's what filmmaking's for. The fat gets trimmed and we're brought down to the lean, the true grit of the story. They later came back and bought DVDs of it because they prefer DVD quality and that "hands to the touch" feeling of actual ownership. Thanks for asking me this fascinating question! Bear in mind also that most A-list celebrities are members of Screen Actors Guild. Unlike Chris Dodd, who's no prize, Hays was a Republican: Piracy does not affect me at all, which is why, for example, Penelope Spheeris' stumble head-first into a hornet's-nest of online infamy and ridicule by openly criticizing something that does not affect her filmmaking future continues to confuse me and make me feel sorry for her. They're a potential paying future audience member.
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