Playing comedy could be an option for him of course: Bacon's own contact with the dead works best when it manifests itself in little glimpses of horror and desecration: His wife Maggie Kathryn Erbe sours his mood by telling him she is pregnant again, placing his music ambitions even further out of reach and it is at this point that grouchy Tom is riled by his sister-in-law Illeana Douglas: You can do a lot worse on a Friday night than this. Although he has always been a plausible leading player, actual stardom has always eluded him.
Added to this is a distinctly serviceable script by director David Koepp, who allows Ileana Douglas to tell Maggie chirpily: There used to be a similar game of being six handshakes away from Mao Zedong - you could win by getting within five handshakes of Edward Heath. This actor, who first came to our attention in Barry Levinson's Diner 18 years ago, has maintained effectively the same faintly overlooked presence ever since: And Bacon is always an A-list player whose style elevates anything he's in. But thankfully, it is not encumbered with a twist ending, and avoids all the silliness that finally sank Sixth Sense. So it is with something of a pang that Bacon's fans will see him bestow his presence on Stir of Echoes: And the moments in which a child is menaced by a dead person are enjoyably unpleasant, especially the scene in which little Jake is trying to watch HR Pufnstuf on TV but the ghost keeps changing the channel to the horror film that he's not allowed to watch - which keeps playing even when the deeply bewildered Jake has actually pulled the plug out of the wall. She says he is not open to new experiences, and in her New Agey way hypnotises him, causing the initially derisive Bacon to succumb utterly and undergo a terrifying sense of communicating with the dead. Bacon himself endures all this sturdily, looking far younger than his years, and with his shirt off, his musculature has only slightly less definition than it did in Apollo 13, but still in good nick, and perfectly in line with the Abs Tyranny of modern Hollywood. Bacon's own contact with the dead works best when it manifests itself in little glimpses of horror and desecration: The classic definition of a star is someone with something missing rather than something extra and maybe Bacon has never had it missing, or not enough of it missing. Bacon plays Tom, a blue-collar Chicago guy who works for the telephone company, married with a five-year-old boy, and idly dreaming of making it as a rock musician. You can do a lot worse on a Friday night than this. Although he has always been a plausible leading player, actual stardom has always eluded him. He's not obscure enough for that to be interesting and you can play the six-removes game with anyone. His wife Maggie Kathryn Erbe sours his mood by telling him she is pregnant again, placing his music ambitions even further out of reach and it is at this point that grouchy Tom is riled by his sister-in-law Illeana Douglas: And there is a clammy dream sequence in which Bacon visits the bathroom and seeing that one of his front teeth has gone completely rotten, colour of reddish mud, reaches into his mouth and after some effort pulls it out of his head together with a gout of blood. Playing comedy could be an option for him of course: And this gives him something in common with his son Jake, who communicates with the great beyond also, whispering things like: Share via Email Can it really be true that Kevin Bacon is just a couple of months shy of his 42nd birthday? It is the most squeaming tooth scene since Richard Burton demonstrated John Hurt's utter physical abasement in the adaptation of Orwell's by pincering one of his teeth out with his finger and thumb.
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