The film also cleverly allows dialog and character development to occur thanks to a rather brilliant device- having Jessie "talk" to hallucinations of different characters and people from her life including her deceased husband and abusive father Henry Thomas , who all represent various pieces of her memory and her mental state. He's everything you could ever love to hate, and he does a wonderful job with the role. Its an invaluable storytelling tactic that pays off wonderfully, and feels like an organic piece of the puzzle. Throughout her ordeal, Jessie begins to see cryptic visions of a figure known as the "Moonlight Man" Carel Struycken , who Jessie perceives to be a personification of her potential impending death and frankly Though I've been a fan of hers for some time, I've never seen Gugino in anything quite like this.
With remarkable performances, an intriguing story, wonderful characters and top-notch visual direction, you really couldn't ask for more. Flanagan wisely allows us to really get into Jessie's mind, and also adds plenty of entertainment value in seeing her work out potential solutions to her problem. The film also cleverly allows dialog and character development to occur thanks to a rather brilliant device- having Jessie "talk" to hallucinations of different characters and people from her life including her deceased husband and abusive father Henry Thomas , who all represent various pieces of her memory and her mental state. She carries the entire film, and covers a range of virtually every emotion possible with an ease and sense of realism that was frankly awe-inspiring. I also really enjoyed the small turn by former child actor Henry Thomas as the deeply troubled and abusive father. It's a film that takes place almost entirely within a single room outside of a few key sequences and flashbacks, and yet it never feels dull nor does it fall into tedium. Gugino absolutely steals the film with a career-defining performance as Jessie, and I would not be surprised in the slightest to see her getting some serious nods in the upcoming awards season. And it stands tall and proud among the catalog of films and franchises that Netflix has launched over the past five years. Though I've been a fan of hers for some time, I've never seen Gugino in anything quite like this. While I will not spoil this, I can say with some certainty that the final ten minutes could have easily been removed entirely, and frankly, the film would have been better for it. Greenwood is also quite a bit of fun in his role as Gerald, as he is allowed to play the character in several different lights, especially after his death when he begins to re-emerge as a vision seen by his wife. Was this review helpful? And while they don't ruin it for me, I do think they bring the film down a few pegs and are the reasons why I cannot give this a perfect ten despite desperately wanting to. Throughout her ordeal, Jessie begins to see cryptic visions of a figure known as the "Moonlight Man" Carel Struycken , who Jessie perceives to be a personification of her potential impending death and frankly All the while, her mental state increasingly deteriorates from stress and she begins to have flashbacks to her troubled past Even in a film containing elements like hallucinations, visions and flashbacks, the "Moonlight Man" just seems out of place and contrived. It's a unique balancing act, and Greenwood nails it. MaximumMadness 6 October From the mind of Stephen King and director Mike Flanagan comes "Gerald's Game", a Netflix original movie based upon King's novel that takes a simple and elegant premise and successfully uses it weave a tale of suspense that is among the year's most impressive of surprise treats. And though it might not quite reach the great heights attained by the best adaptations of King's work, Flanagan's fierce and stunning portrayal of a woman pushed to the brink of insanity in a desperate bid for survival is a slick and very satisfying adaptation. It's tacked on and superfluous, only serving as padding that demystifies the tale somewhat instead of enhancing it. And it is indeed surprising how director Flanagan is able to make the movie not only work, but thoroughly excel with clever structuring and top-notch performances. Jessie Carla Gugino and Gerald Bruce Greenwood are a well-off couple whose marriage has taken a decidedly bad turn, and who are seeking a way to spice-up their life and reconnect a bit. You have been warned. At its core, "Gerald's Game" is a deceptively complex story that was for many years considered "unfilmable" due to its shockingly minimalist plot and lack of characters or settings, and yet, here we are. It's one of the better Stephen King adaptations of the past decade and just a darned-fine thriller in its own right. And so, I give it a very good 8 out of Compounding this is the other key issue- the film's denouement.
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